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SECRETARY - Slant-top desk on top of a chest of drawers that became
popular in America and England during the 18th and 19th centuries.
SETTEE - An elongated armchair that accommodates two or more people.
It was developed in the 17th century, was often upholstered, and predates the sofa.
SHAKER - Furniture designed and made by Shakers, an American
religious, communal sect founded in the 19th century, that believed beauty
derived from usefulness and impractical objects were sinful. The unadorned
furniture features clean, spare, elegant lines, exemplified in the slim, tall,
Shaker ladder-back chair.
SHERATON - British
neoclassical style named after Thomas Sheraton, who published designs in the
early 1700s that reinterpreted
Adam style by diminishing ornamentation. Sheraton pieces are more delicate
than Adam, yet more severe and linear than
Hepplewhite. Many contain
inlay, painted decoration, and bands of contrasting veneer.
Openwork with urn, swag, or lyre motifs is characteristic of his chair backs.
SIDEBOARD - Table with a wide drawer at the center flanked by drawers
or cupboards on the sides and made to be used against a dining room wall for
storing and serving food.
SIDE CHAIR - Small-scale, armless chair, designed to stand against a
wall when not in use.
SLEIGH BED - Bed with a high headboard and slightly lower footboard.
It resembles the shape of a horse-drawn sleigh, and it was developed in America
in the early 19th century.
SLIPPER CHAIR - High-backed, usually upholstered chair with short
legs, developed in America in the 18th century for bedrooms.
SOFA - An extension of the
armchair, less formal and longer than a settee. It was
developed in the mid-18th century and became very popular by the early 1800s
when it gained springs to aid comfort.
SOFA TABLE - Long, narrow table with drawers and
drop-leaf ends, typically used to store and use gameboards.
SPINDLE - Slim length of turned wood, often used in a series for chair
backs.
STICKLEY - Furniture designed and built by Gustav Stickley, who
pioneered the American
Arts and Crafts movement and promulgated its principals of clean, unadorned,
durable furniture through publication of The Craftsman in 1901.